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Writer-director Todd Haynes (I’m Not There, Safe) intended Velvet Goldmine to tell the story of David Bowie’s rise to fame, but Bowie refused his approval — and songs — when he realized the script focused on a largely-fictionalized account of his sexual exploits and public persona rather than his musical career.
Haynes made a virtue of necessity, rewriting and reframing the narrative. What could have been a mere bio-pic became instead a wider statement about the consuming nature of fame and power. Fittingly, the rewritten story follows the structure of Orson Welles’ notoriously not-a-bio-pic Citizen Kane: reporter Arthur Stuart (Christian Bale) is tapped to investigate the disappearing act of former rock idol Brian Slade, the glammest of the glam, whose most outrageous stage act drove him into obscurity.
As in Kane, the reporter tries to divine the icon’s history at second-hand, struggling to assemble the glib or sorrowful gossip of Slade’s scattered coterie into a coherent history. Unlike Kane, Velvet Goldmine ties the reporter’s personal narrative to the subject’s, expressing the slippery way we can incorporate a celebrity’s persona into our own histories, consuming the energy of those we admire or emulate, eroding their identities in favor of our own projections.
It could have been dreary or didactic, but instead the film is a giddy tissue of visual tales, richly laced with a soundtrack of glam-rock’s greatest hits, original and reworked (and notably minus any David Bowie). Velvet Goldmine shows us the grime under a layer of glitter, the sordid soul-drain that fame can become.
It turns out that planning a wedding is a lot of work, and more than a little unsettling. As I skip from website to website, researching possible wedding locations, budget menus, and the boring nuts-&-bolts-y stuff like (sigh) plate rentals, I keep bumping up against an odd and (to me) nauseating sentiment: splash pages for various caterers, coordinators, and vendors often include tacit or explicit reassurance that on your wedding day, you’re a princess.
I don’t know where to start with this, so let’s start with yuck!
And now let’s look at some underlying assumptions:
The caterers need not address themselves to anyone but the princess the bride the broad, and possibly her mother; the groom is incidental to the process.
Every woman wants to be wrapped up in gossamer and fairy dust on her wedding day. (A quieter assumption, but no less pervasive: she’ll be sporting some pretty fierce high-compression undergarments to keep the telltale bulges of humanity under wraps.*)
This iconic creature, The Bride, is made of spun sugar and fractious nerves, and needs soothing.
Um. Did I say “yuck”? Oh. Well, good. Because yuck!
But now it’s true-confessions time. It’s true that I have no desire for the sparkly dress with the swooping skirt or the tiara or the horse-drawn carriage, because, y’know, I finished playing Cinderella when I was a child.
But.
I confess that I must have some lurking princess fantasy, given the pangs I suffered upon admitting to myself that we could not justify renting a bouncy castle.
*I’m uncharacteristically blasé about getting a dress. In fact, I’ve established only one inflexible guideline: I must be able to wear normal underthings with it. Oh, and to sit on the ground with kids.
I’ve been forced to consider my body lately, more than usual and with an uncomfortable level of scrutiny.

You see, I’ve been shopping online.
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I’d never been to a real bridal shower before, with balloons and buffets (note the plural) and centerpieces in the bridal colors. It’s so… girly: young women in heels and sparkly jewelry, older women in Coldwater Creek suits, and everything with a big bow on it, including the bride-to-be. The “activities” masqueraded as games, but actually constituted a highly regimented enforced feminization, and all the prizes were effusively floral bath products and arcane styling tools.
I won a couple of prizes and was inexplicably given several more: products to strip my exterior roughness, lotions to smooth me, eyeshadow and glossy lip stuff to make me slippery and shiny, and a pretty parcel full of metal prongs and barbs to strip off the horny and hairy bits of my face, feet, and hands. I was first tickled, then bewildered, and finally (secretly) a trifle panicked at this windfall of girly goods heaped on my lap, presumably intended to induct me, willy or nilly, into the ranks of girlkind.
But there was unlimited cake and coffee, so it all balances out.
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49 As a 1930s wife, I am |
I make a barely adequate 1930s wife, and I’ll tell you why:
- fails to wash the top of the milk bottle before opening it? Yes.
- gives [The Fella] shampoos and manicures? No.
- slows up card game with chatter and gossip? Yes.
- tells risque or vulgar stories? Oh, hell yes — this one time, I told a risque or vulgar story in a burlesque club, when we were between acts, and I … Oh.
I fare much better as a husband.
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126 As a 1930s husband, I am |


