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So I can’t wear the new flops out and about without a little color. Okay, maybe a lot of color. I went a tad overboard when I saw the hundreds of bottles to choose from. First I picked blue to commemorate my (soon to be) tenth anniversary with JM. It was one of the two colors I was wearing at the time and a friend later confided that she knew I was the girl for him the moment she saw my toes. The other colors are brown (never had this option before), copper (love the contrast with blue) and pearl. This could be one big mistake.
Click the photo to go to my Flickr photo stream.
For those anxiously tracking my horror at the rigors of online plus-sized dress shopping, you can breathe freely once more! Our long national nightmare is over: I have found a dress.
Three dresses, in fact, as a hedge against future dress deficit.
In desperation after several promising dresses were discontinued or back-ordered or otherwise unavailable, I broke down and ordered a couple of cheapo dresses from a plus-sized clearinghouse, where respectable catalogue companies send their outsized cast-offs to perish.
I steeled myself for disappointment, fully expecting to send both back in dismay, but to my surprise, I liked them so much I promptly ordered another dress I’d been eyeballing.
All it took was hours and hours and hours and, did I mention, hours of paging through the website. (The site, for any fatshionistas who want it, but be warned: wheat from chaff, wheat from chaff.) I ruthlessly discarded any dress, no matter how promising, if it was acetate or poly, any dress with frippery or geegaws, any dress that triggered the ineffable nuh-uh instinct of the retailer I once was. It’s like panning for gold: you must devote the time, and the payoff is uncertain.
But I lucked out: three dresses for a total of maybe US$95*, all of much nicer fabric than the price tag would suggest, and all sporting clean lines and blessedly free of what Buff Puff calls “the scourge of fat-lady consolation glam,” which appears as a spray of cheap sequins cast across the bust, or flaccid polyester flowers glued to the bodice, or tatty beading worked into the hemline.
None of that here, just sparely handsome dresses that trust me to doll them up to my liking. Bliss.
*That total includes the 20% off code I used on my second order, but does include the shipping costs.
I bought a pair of FitFlops today–the ones in black because they looked good with my jeans (meaning the jeans hid the little FitFlop logo emblazoned on the top of the flop.) With the salesperson’s smooth line “it’s like walking on sand” I was sold because, wheeeeee, I frickin’ love walking on sand. Yes, wet sand, dry sand, preferably not too hot sand, sinking sand, loose sand, tough sand, soft sand, aaaaaahh. Never mind that I have never ever been able to don thong-style footwear in my life. I gave up trying when I was a wee prepubescent because of the endless blistering and I was so much more the geek because of it. Remember the rainbow sided flop of the 70s? Sigh, to be so cool. In actual fact, all shoes at some point cause me pain, and between the toes, ack, mercy! Uncle! Have I learned nothing? Well, THIS time I am wearing them around the house for a few days. Then we’ll try a little further distance. Baby flops, as they say.
The Fella and I haven’t even started planning our wedding yet, and already I’m overwhelmed. It’s daunting to skim the various sources of “offbeat” and “indie” wedding-planning advice; even these pared-down weddings are lavish with frills and fanciness that we simply don’t want.
The more a couple strays from the conventions of planning, the more actual planning it requires: so many decisions! If we wanted a cookie-cutter wedding, with white satin and matching attendants and linen tablecloths and custom-colored M&Ms, planning would be much simpler. The Wedding Industrial Complex provides scores of checklists for such events.
Of course, some wedding parties spiral into madness. “You don’t know who’s crazier, the people who ask or the people who actually go along with it.” The linked article describes the absurdities imposed upon unwitting bridesmaids, who think they’ve signed up to offer loving support and the occasional shopping trip but instead find themselves burdened with lime green satin, Botox, and a taxing regiment of facials and pedicures, to say nothing of expensive travel.
On the flipside is K, who will be standing up with me at my wedding*. She expressed some concern upon hearing that I won’t dictate her attire. Apparently, she wants some structure and ritual and a prescribed dress code.
I assured her that with her great wardrobe and great taste, I’m certain whatever she chooses will be perfect, whether it’s something from her closet or something fabulous she wants an excuse to buy. “Did you really think I’d assign you a taffeta dress with a big bow on the butt?”
K. shot back, “Dear, I will wear a clown suit if that’s what you want.”
A clown suit, you say?
…
That’s one thing decided, anyway.
* Elli and I decided that the Best Woman duties — hand holding, shoe shopping, smacking me lightly when I become unbearable — would be too difficult at this distance. Instead, she’s The Wedding Muse: she listens to my ideas and whining, tells me when the ideas are crazy (and, so far, stays mum about the whining), and has the twin luxuries of liberal eye-rolling and audible scoffing with no fear of getting caught. And honestly… I’m not sure she’d love the clown suit.
I’ve been forced to consider my body lately, more than usual and with an uncomfortable level of scrutiny.

You see, I’ve been shopping online.
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I’d never been to a real bridal shower before, with balloons and buffets (note the plural) and centerpieces in the bridal colors. It’s so… girly: young women in heels and sparkly jewelry, older women in Coldwater Creek suits, and everything with a big bow on it, including the bride-to-be. The “activities” masqueraded as games, but actually constituted a highly regimented enforced feminization, and all the prizes were effusively floral bath products and arcane styling tools.
I won a couple of prizes and was inexplicably given several more: products to strip my exterior roughness, lotions to smooth me, eyeshadow and glossy lip stuff to make me slippery and shiny, and a pretty parcel full of metal prongs and barbs to strip off the horny and hairy bits of my face, feet, and hands. I was first tickled, then bewildered, and finally (secretly) a trifle panicked at this windfall of girly goods heaped on my lap, presumably intended to induct me, willy or nilly, into the ranks of girlkind.
But there was unlimited cake and coffee, so it all balances out.
Swoosh swoosh swoosh. Corduroy trousers, the gentle zipping sussurating sound as I stroll through the neighborhood. When I reach the main street, my steps are faster, and the sound steps up: zizz zizz zizz, this girl means business!
As a child, I loved corduroy. I loved the contrast of textures, the velvety stripes and the stern, plain valleys between them. I loved their toughness. I loved the word: cord-u-roy. And I loved the sounds as I walked: swoosh, zizz, zoop.
Then adolescence arrived, with its attendant self-tortures. Suddenly, the sounds (swoosh, zizz, zoop!) only meant painful, scorching body awareness: legs! I have legs! They swoosh when I walk! Gaaaaah, how mortifying! Totally. For years, I eschewed corduroy, to avoid the swoosh that told the world “I have a body! I have legs! I have a body! It sings when I walk!”
Years later, mindful of all the bodily risks and near-misses between then and now, I happily announce: I have a body! It sings when I walk!
Corduroy trousers, I love you. And you love me back. I know you do, because you whisper it to me: swoosh swoosh swoosh.
Today was Toss Out Old Toiletries Day. After disposing of my collection of shampoo and conditioner samples, I started sorting through my makeup. The only item that can be considered a recent purchase is a tube of waterproof mascara I bought last year. Otherwise we’re looking at some pretty aged articles, one of which I held up for JM to see.
Me: Be proud of me.
JM: Why?
Me: Because I’m throwing out old junk. (Brandishing a stick of black eyeliner.) Do you know what this is?
JM: Something you’ve held onto for 14 years?
Me: Um, (pause) longer.
I have carried around this eyeliner for 23 years. My high school French teacher gave it to me because I was an overzealous A+ student who desperately wanted to but couldn’t go on the annual French Club trip to France. So she brought a little bit of France back to me. Merci beaucoup, Madame M. And now that I’ve written about it, I think I can throw it away. Please, please, don’t let me dig it out of the trash. Perhaps I’ll go buy a new one tomorrow to carry around for the next 23 years.
The results of yesterday’s intensive beading session. The pearl necklaces, one for me and two to give away, use the remains of Great-greatsomebody’s (blatantly fake) opera-length necklace, disgorged years ago from a trunk in my grandparents’ house, along with ivory fans, vicious hatpins, and dresses that clearly required bustles. A few months ago, the century-old thread disintegrated in one spot, leaving me with a yard of faux pearls.
The Y-beaded necklace uses labradorite, smoky quartz, jasper, and freshwater pearls, mixed with silver and glass spacers. K bought the semi-precious stones a few years ago in a burst of enthusiasm at the bead store. A few months ago, I came home to a package on my doorstep; K, deciding she would never get around to the project, had shipped me a small shaker box with her beads rattling around inside. At long last, I produced a necklace to go with the puny few pairs of earrings I’ve whipped up for her.
Ooooo, shiny.

